A poem by Sam Illingworth about the turbulent history of the Manchester Ship Canal. Narrated by Sam, James Redfern and Natasha Hall-McKenna, with audio recording help from Neil Cochrane.
Created in collaboration with Manchester School of Art, Manchester Metropolitan University, BBC R&D (who supplied the source footage that was re-conceived for this piece) and the Canal & Rivers Trust as part of the Beacons for Science Project with Salford University. Thanks also to Keith Myers for his support in developing this project.
You can also experience an immersive 360 degree version of this work by downloading the Beacons for Science Manchester app.
Large parts of the UK are currently being licensed for Hydraulic Fracturing, Underground Coal Gasification and Coal Bed Methane Extraction. A growing base of evidence is showing that these technologies could have a massive impact on the environment, as well as on the health of people and wildlife. Despite this, it seems that planning applications are being allowed to go ahead with very little debate, and consent, from the people who it will directly impact upon.
The Liverpool, Wirral and Merseyside campaign to raise awareness has received considerable community support so far. It even managed to get a mention by Yoko One, who is an eminent campaigner against the tide of fracking across the globe. A number of other merseyside bands are also supporting the campaign.
— Yoko Ono (@yokoono) April 7, 2014
As part of the efforts, I’ve helped to make a film to raise awareness of the impacts of extreme energy extraction in the area.You can watch it here:
A number of organisations have helped to get this out there, many thanks for helping to share this issue and for helping the campaign to raise signatures for the petition to put this on the agenda.
— Margaret Greenwood (@MGreenwoodWW) July 11, 2014
— Wirral Green Party (@WirralGreens) July 5, 2014
‘The Post-Secret State: Openness and Transparency in the Era of Gov 2.0’ (co-authored with Clare Birchall and Gary Hall) is published in a new journal called Ctrl-Z: New Media Philosophy, alongside an essay, ‘How to Do Justice to Media Specificity: or, Should This Video Be Left to Speak for Itself?’.
Find out more about Liquid Theory TV
Was checking out the camp and taking some shots yesterday outside St Pauls Cathedral and was fortunate enough to catch this inspiring speech by retired labour politician Tony Benn at #OccupyLSX during my break.
Rushed an edit together last night, let me know your thoughts, i didnt have a tripod so its a bit shaky. Song is called Mercury Fingerprint by Dan Skinner (from Audio Networks)
This was featured on Adbusters TV
Here’s a short look at some of the projects that I have been involved with, I’ve tried to make it a bit more personal than I usually would with a showreel, so please let me know if you think it works or not.
My thanks also go to all of the people who have worked on these projects with me over the years!
Back in early 2008, and at a time when I was only just getting to grips with the whole digital ‘thing’ myself, I came up with the idea of viral education and made this video to ask some key questions about the nature of education in relation to emerging participatory technologies:
Originally made as part of a presentation for my own institution, the video has been used by a number of educational organisations to open up conversations about the way that education is using new viral possibilities enabled by the open web to change the way we think about what education can be. It’s been cited on hundreds of blogs and in a number of reports. Many of the comments have helped to shape my own ideas about education in relation to technology. Here’s just a few of the places it has been used over the last 4 years:
The second episode in the series takes as its focus Gilles Deleuzes short essay Postscript on the Societies of Control. While this episode is being made available for the first time in an issue of Culture Machine: An Open-Access Journal of Culture and Theory culturemachine.net/index.php/cm/issue/view/22 which has the theme of creative media; and while Liquid Theory TV could be described as a creative project, to the extent it is concerned with producing alternative, rival, or counter-desires to those currently dominant within much of society (at its simplest, a desire for philosophy or more broadly theory, rather than for the creations of Richard Branson, Simon Cowell or Rupert Murdoch, say), this does not mean that either the series, or this particular episode, should be regarded simply as an attempt to perform Deleuzes philosophy. The critical and interpretive aspects of scholarly work remain important to us here, even if they are being undertaken in a medium very different to the traditional academic journal article or book.
It’s been used in various websites and e-learning platforms as a network resource, and seems to have captured people’s interest on YouTube
Liquid Theory TV is a collaboration between Clare Birchall, Gary Hall and Peter Woodbridge. It has been widely cited by a number of publications, journals, elearning repositories and blogs.
Here are some links :
It was a practice based research attempt at making theoretical praxis, when I first started becoming academically influenced in my media practice in 2006.